Spotlight on the Chorale
For several years, the Long Bay Symphony has engaged the CMC as its principal symphonic chorus. The Chorale performs annually on the Long Bay Symphony season series, and the LBS will typically accompany the Chorale on one of its subscription programs. The organizations have collaborated to perform Bach’s St. John Passion, Beethoven’s Mass in C and Symphony no. 9, the Requiems of Mozart, Brahms, and Verdi, Verdi’s Stabat Mater, Schoenberg’s Survivor from Warsaw, Ravel’s Daphnis and Chloe, Holst’s The Planets, Prokofiev’s Alexander Nevsky, Orff’s Carmina Burana, and the opera’s La Traviata of Verdi and Carmen of Bizet.
An impressive list of guest artists has enjoyed performing with the Carolina Master Chorale. Viennese baritone Benno Schollum; mezzo-soprano Kirstin Chavez, world-renowned for her portrayal of the title role in “Carmen”; coloratura soprano Emily Hindrichs, one of the world’s most sought-after young interpreters of the Queen of the Night in “The Magic Flute”; and tenor Mark Vitale, known for his performances throughout Europe of the title role in “Jesus Christ Superstar” and as Tony in “West Side Story” are just a few of the outstanding singers who have appeared with the CMC.
In 2011, America’s most-performed opera composer, Carlisle Floyd, visited Myrtle Beach twice for performance events with Carolina Master Chorale. In February, he was inducted into the South Carolina Hall of Fame after his nomination by the CMC, and in May, he returned for the first-ever complete performance of “A Time to Dance,” his only work for chorus and orchestra.
Internationally, the CMC has completed numerous performance tours, giving concerts throughout Great Britain, Austria, Italy, Denmark, Germany, the Czech Republic, Spain, and Costa Rica. In June 2012, the Chorale performed tour concerts in Helsinki, Finland; Tallinn, Estonia; and St. Petersburg, Russia. In June 2018, the Chorale performed in Canada, and in June 2024, they traveled to perform in Portugal.
As a partner in the rich cultural diversity of South Carolina, the CMC has generated and accepted collaborations with most of the region’s finest performing arts organizations, such as the Long Bay Symphony, the South Carolina Philharmonic, Theatre of the Republic, Litchfield Dance Arts, and numerous civic, community, and business entities, including the City of Myrtle Beach, Myrtle Beach Chamber of Commerce, South Carolina Hall of Fame, NAACP, and many others.
Education has always been a primary focus of the Carolina Master Chorale. Each year, the Carolina Master Chorale performs for thousands of South Carolina schoolchildren. The CMC’s historical commitment to music education has included performances in Horry County schools and annual appearances before more than a thousand-seventh graders at the Induction Ceremony of the South Carolina Hall of Fame.
Beginning July 1st , 2024 the Grand Strand Voices Youth Choir became the Carolina Youth Chorale expanding the educational reach of the CMC.
BOARD OF DIRECTORS – 2025–2026

Dear Music Lovers,
It is an honor to greet you and to invite you to the 44th season of the Carolina Master Chorale (CMC). Following the retirement of Dr. Tim Koch, who led the Chorale for 25 remarkable years, we are thrilled to welcome Dr. Charles Jones Evans as our new Music Director. Many of you will remember Dr. Evans from his distinguished 29-year tenure as Music Director of the Long Bay Symphony. In addition to his orchestral expertise, he brings a wealth of experience in choral leadership, and we eagerly anticipate the growth and continued excellence of the CMC under his direction. Our 2025–2026 season promises to be another exceptional offering of moving and memorable performances.
As a nonprofit organization, the Carolina Master Chorale relies on the generous support of our community, including individual donors, local businesses, and grant organizations. Our singers are dedicated volunteers who not only give their time and talent but also contribute financially to help sustain the Chorale. If you know a member of the CMC, consider asking about their pledge—and please consider matching or exceeding their support. Season tickets and individual concert tickets are available, and any additional donation you can make alongside your ticket purchase would be deeply appreciated.
We are also proud to support the Carolina Youth Chorale (CYC), under the direction of Sara Morey. This talented group recently represented our community at the Crescent City Choral Festival in New Orleans in June 2025. The CYC continues to grow in both size and excellence, and it has been a joy to witness their development.
On behalf of the Carolina Master Chorale, thank you for your ongoing and generous support. Your contributions—whether through direct financial gifts, sponsorships of concerts or venues, underwriting music purchases, or supporting the Carolina Youth Chorale—help ensure that the joy of choral music continues to thrive in our community. If you have any questions or would like more information, please don’t hesitate to contact me. I would be happy to help you meet your giving goals.
Thank you for your past, present, and future support. Music calms the soul, and great music lifts the spirit—it is truly the language of love.
Warm regards,
John Scheide, President, Board of Directors
Carolina Master Chorale
-
John Scheide
President
-
Audrey Farrell
Vice-President
-
Barbara Mousaw
Treasurer
-
Terry Shumway
Secretary
-
Kevin Lamm
-
Terri Springs
-
Terry Poplava
Ex-Officio Board Members
THE ARTISTIC AND ADMINISTRATION STAFF
Dr. Charles Jones Evans
Music Director

Dr. Charles Jones Evans is no stranger to Grand Strand audiences, having served for nearly three decades as Music Director of the Long Bay Symphony. During his tenure there, he transformed the organization from a community orchestra into a solid professional ensemble, frequently partnering with the Carolina Master Chorale in presenting significant modern choral works such as Amy Beach’s The Canticle of the Sun, Meira Warshauer’s Ahava, Prokofiev’s Alexander Nevsky, Walton’s Belshazzar’s Feast and Schönberg’s A Survivor from Warsaw, as well as Verdi’s Requiem, Orff’s Carmina Burana and Beethoven’s Symphony No. 9.
Prior to his work with the LBS, Maestro Evans held conducting positions with numerous professional orchestras and music festivals throughout the U.S., including the Pine Bluff (AR) Symphony, Eastern Philharmonia (Greensboro, NC), and the Memphis and Mississippi Symphonies.
As guest conductor, he has been featured on the podium with the Richmond (VA), North Carolina, Virginia and Arkansas Symphonies and the Memphis Ballet, as well as ensembles in Boston, Cleveland, Dallas, Spokane, Santa Barbara and other cities around the country. In Europe Evans has made guest appearances with the Oradea and Giurgiu Philharmonic Orchestras of Romania and has worked with conservatory orchestras in Bucharest and other cities. His orchestral performances have been broadcast frequently on National Public Radio.
A native of Dallas, Maestro Evans began singing in choirs at an early age under the tutelage of his father, an Episcopal church organist and choir director. He continued vocal studies and choral activities throughout his advanced orchestral and conducting training, having the opportunity to work with eminent choral directors such as Lloyd Pfautsch and Robert Page. He held leadership positions in church choirs and civic choral groups in Dallas, Jackson MS, Memphis, Little Rock and Myrtle Beach.
Concurrently with his orchestral career Maestro Evans has held director positions with groups such as the Arkansas Choral Society and the Coastal Carolina University Concert Choir. He has also served as interim choir director for Trinity Episcopal Cathedral in Little Rock AR and Trinity Church in Myrtle Beach. He is currently Director of Music at the Episcopal Church of the Messiah in Myrtle Beach.
Critics have praised Evans’ conducting as “exuberant,” describing him as an “elegant, enraptured performer” and a “solid and polished conductor.” A champion of 20th-century music, he has conducted several world premieres in addition to contemporary concert, dance and operatic works. His performance of William Schuman’s Credendum was praised as “straight ahead, no-nonsense” with “meaty, nicely calculated climaxes and unflagging energy” (Greensboro, NC). The Memphis Commercial Appeal stated that his rendering of the music of Ives and Schönberg “reaffirmed Evans’ status as a key interpreter of Modernism.”
Maestro Evans has an equally extensive background in both traditional and popular idioms. In addition to performing with major pop acts such as Judy Collins, Maureen McGovern and Maurice Williams, he has created a wide variety of programs—Rock ‘n Roll, Gospel, Beach Music and Bluegrass—for which he has written many orchestral arrangements.
Evans’ conducting training has included a fellowship under eminent American composer/conductor Gunther Schuller at the Festival at Sandpoint, as well as a fellowship at the Aspen Music Festival. He has also studied under Leonard Slatkin, David Zinman, Boris Goldovsky, and David Effron. He was one of four Americans selected to compete in the Antonio Pedrotti International Conducting Competition in Italy. In 2000, Evans was invited to participate in the Wiener Musikseminar at Vienna’s Universität für Musik und Darstellende Kunst, where he was awarded Second Prize in Performance. He holds a B.M. degree from the Cleveland Institute of Music, a M.M. from Southern Methodist University, and a Doctor of Musical Arts degree from the Eastman School of Music.
Maestro Evans is excited about his new role as Music Director with the Carolina Master Chorale, building upon the musical achievements of his predecessor, friend and colleague Dr. Timothy Koch, and furthering his own personal commitment of delivering to audiences an exceptional standard of performance and imaginative programming. He looks forward to continuing the growth and development of The Carolina Master Chorale, serving the residents of, and visitors to, this ever-growing community.

D. SCOTT FERGUSON
Collaborative Pianist

D. Scott Ferguson has enjoyed a dynamic career in both performance and music direction. He was a member of the music staff for the Broadway productions ofMary Poppins and Coram Boy. With over twenty national touring production credits, his favorites include Mary Poppins, Les Misérables, CATS, and Kiss of the Spider Woman. He also spent a decade as a Musical Director for the Radio City Music Hall Rockettes’ Christmas Spectacular.
Ferguson holds a degree in Piano Performance from Murray State University, where he was a William G. Broughton Fellow. He continued his studies at the American Institute of Musical Studies in Graz, Austria, and earned a master’s degree in Piano Performance with a focus on Vocal Coaching and Accompanying from the University of Illinois at Urbana-Champaign.
An active performer, Ferguson collaborates regularly with the Carolina Master Chorale, Southeastern Oratorio Society, Long Bay Symphony, and the Carolina Philharmonic. He is also passionate about teaching and currently serves on the music faculty at Coastal Carolina University.
REBECCA A. DONEVANT
Executive Director

A native of Myrtle Beach, Rebecca is beginning her 10th year with the Carolina Master Chorale. She previously served as Executive Director for the nonprofit Grand Strand Golf Director's Association for 30 years while also spending 40+ years in the hospitality industry. Her experience in management, marketing, and business brings a wide expanse of knowledge to the Carolina Master Chorale.
She has served on the Board of Directors for the Long Bay Symphony and on the City of Myrtle Beach's Cultural Arts Advisory Committee. Rebecca attended Myrtle Beach schools and is a graduate of the University of South Carolina.
Members Of The Carolina Master Chorale
Soprano
Laura Bradford
Donna McElveen
Janet O'Leary
Courtney Pendleton
Sharman Poplava
Penelope Reed
Suzanne Sharp
Joy Taylor
Ann Thomas
Brooke Brumbaugh
Terry Heins
Cathy Higgins
Katherine Jasmine
Betty Johnston
Sara Morey
Barbara Mousaw
Peggy O’Neil
Sherrie O'Savio
Kathy Ott
Lora Zaccagnino
Alto
Judi Adams
Fran Gilbert
Samantha Martinez
Debbie Rojas
Terry Shumway
Dona Vasey
Donna Winkler
Clare Reigart
Barbara Huunter
Betsy Cowan
Barbara Dickinson
Melody Evans
Rachel Pedersen
Ariel Roebuck
Cindy Verost
Tenor
Tommy Barone
Caleb Elia
Robert Haley
Joseph Segnit
John Guiderian
Gary Hodgins
Andrew Michaels
Tom Mulvin
Matthew Simpson
Larry Wilson
Bass
Albert Evans
John Cochran
Jim Conrad
James Crawford
Randy Page
Terry Poplava
John Steele
