Spotlight on the Chorale

ABOUT THE CAROLINA MASTER CHORALE

Founded in 1982, the Carolina Master Chorale is the oldest community chorus on the Grand Strand. Beginning ad hoc when a group of interested individuals gathered to rehearse and present Handel’s Messiah during the Christmas season, it continued until September 8, 1983, when singers met and officially organized the independent, non-profit “Community Chorus.”

The group’s stated purpose was to develop and promote appreciation of choral music through periodic public concerts and to educate and train its members to present them. The name was later changed to the Community Choral Society, and finally to the Carolina Master Chorale (CMC), reflecting the group’s level of performance art and experience.

The success and growth of the Carolina Master Chorale is due in large part to the efforts of its loyal singing members and to their talent, hard work, and devotion. Currently, the volunteer chorus consists of over 70 auditioned members, coming from all parts of the Grand Strand.

The Carolina Master Chorale not only contributes to the cultural and civic life of the Grand Strand but also serves as a cultural ambassador for our community through performances throughout South Carolina, nationally, and internationally.

ARTISTIC LEADERSHIP

Dr. Alyssa J. Cossey

Artistic Director & Conductor

Dr. Alyssa J. Cossey is thrilled to be serving as the new Artistic Director & Conductor of the Carolina Master Chorale. She has spent the last twenty years successfully leading choirs in academic, community, and professional ensemble settings, including at the University of Arizona, where she was a third-place winner of the Dale Warland American Prize in Conducting for her work with the University Community Chorus. More recently, she has served as the Associate Director of Choral Activities at Coastal Carolina University and the Interim Director of Choral Activities at Wellesley College. Prior to that, she taught middle and high school choir in Southern California for nearly a decade.   

As a professional conductor, Dr. Cossey has prepared choirs to perform choral-orchestral masterworks, including Beethoven’s 9th Symphony, Stravinsky’s Symphony of Psalms, Handel’s Messiah, Britten’s War Requiem, and several works by Bach, including the St. John Passion. However, her true passion lies in expanding the choral canon to include music from around the world, with a focus on historically excluded composers. Dr. Cossey has recently begun working directly with composers,  commissioning new works through larger choral consortia and directly with the organizations she leads. This spring, she commissioned three new works for the Wellesley College Choir by composers Coty Raven Morris, Diana Sáez, and Ethan Sperry. She is also a highly sought-after guest conductor and clinician, working with choirs of all ages throughout the country. 

As a Los Angeles native, Dr. Cossey sang in the premiere women’s chorus, Vox Femina Los Angeles, under the direction of Dr. Iris Levine, and has sung at venues including the Hollywood Bowl, the Pantages Theatre, and the Walt Disney Concert Hall with renowned conductors and composers such as John Williams, Grant Gershon, and James Conlon. She is also an inaugural member of the professional women's choir mirabai, which sings and tours under the direction of Dr. Sandra Snow and can be heard on their debut album, Ecstatic Songs, released in March 2018, as well as their sophomore album, Home in Me, released in February 2023.

Dr. Cossey regularly shares her scholarship and expertise locally, working with area schools and choral directors, and with the larger choral community through publications and presentations. She is published in several state and regional music education journals, including the Choral Journal, and is a contributing author for the newly published Choral Repertoire by Women Composers, edited by Dr. Hilary Apfelstadt. Alyssa holds a D.M.A. in Choral Conducting from Michigan State University, an M.M. in Conducting from California State University, Fullerton, and a B.A. from California State Polytechnic University, Pomona. For additional information about Dr. Cossey or to access her educational resources, please visit www.alyssacossey.com.

Man with graying hair and goatee smiling.D. Scott Ferguson - Collaborative Pianist

D. Scott Ferguson has enjoyed a dynamic career in both performance and music direction. He was a member of the music staff for the Broadway productions ofMary Poppins and Coram Boy. With over twenty national touring production credits, his favorites include Mary Poppins, Les MisérablesCATS, and Kiss of the Spider Woman. He also spent a decade as a Musical Director for the Radio City Music Hall Rockettes’ Christmas Spectacular.

Ferguson holds a degree in Piano Performance from Murray State University, where he was a William G. Broughton Fellow. He continued his studies at the American Institute of Musical Studies in Graz, Austria, and earned a master’s degree in Piano Performance with a focus on Vocal Coaching and Accompanying from the University of Illinois at Urbana-Champaign.

An active performer, Ferguson collaborates regularly with the Carolina Master Chorale, Southeastern Oratorio Society, Long Bay Symphony, and the Carolina Philharmonic. He is also passionate about teaching and currently serves on the music faculty at Coastal Carolina University.

ORGANIZATIONAL LEADERSHIP

To our wonderful patrons, sponsors, and friends of the Carolina Master Chorale,

It is my great honor to have been invited by the CMC Board of Directors to serve you in the capacity of Interim President for the remainder of our 43rd season. The CMC’s sustainability is largely due to your support. We are forever grateful for the generous contributions which allow us to bring you beautiful music throughout the seasons.

I take this opportunity to personally invite you to become part of the Carolina Master Chorale family. There are many ways for you to get involved, from auditioning as a possible singer to a number of volunteer opportunities. As a volunteer, you may give as little or as much as your schedule allows. As a singer, there is nothing more exciting than rehearsing and performing with our fellow singers. Please contact our office if you are interested in learning more, or speak with me after any concert.

Please follow us on social media so you do not miss any of the many CMC updates and “extras”, such as our upcoming live holiday performances on WMBF, the CMC’s partner, for whose sponsorship we are so thankful!

I encourage you to invite your friends and family - who may not have experienced the power of great choral music – to attend a performance. In the immortal words of the great Elton John, “Music has healing power. It has the ability to take people out of themselves for a few hours!”

Judi Adams, Interim President
Carolina Master Chorale

 2025 - 2026 Board of Directors

 

Judi Adams - Interim President

Terry Poplava - Vice President

Audrey Farrell - Secretary

Barbara Mousaw - Treasurer

Terri Springs

Terry Shumway

Kevin Lamm

Ex-Officio Board Members

Norma Culler

 

Rebecca A. Donevant - Executive Director

Smiling woman with glasses and short hair.Rebecca A. Donevant is a native of Myrtle Beach and is beginning her 11th year with the Carolina Master Chorale. She previously served as Executive Director for the nonprofit Grand Strand Golf Director's Association for 30 years while also spending 40+ years in the hospitality industry. Her experience in management, marketing, and business brings a wide expanse of knowledge to the Carolina Master Chorale.

She has served on the Board of Directors for the Long Bay Symphony and on the City of Myrtle Beach's Cultural Arts Advisory Committee. Rebecca attended Myrtle Beach schools and is a graduate of the University of South Carolina.